John Cratchley
A slightly more 'glitchy' and eclectic set than 'Phonauotgram' but just as intriguing and subtle,if not a little unsettling...like watching Victorian automata.
I'm really beginning to appreciate Ed Carter's approach to music making...unhurried,considered and thoughtful...it's like listening to a series of very beautifully constructed musical
boxes...perfectly conceived and presented.
Wind them up and let them go...
A Memento for Dr. Mori
by Winter North Atlantic
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Get all 28 Boltfish Recordings releases available on Bandcamp and save 55%.
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Buy Disc (Digipak)
1. |
The Maid
03:43
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2. |
Cuts and Tears
04:56
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3. |
Occam's Razor
04:02
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4. |
Fallen Fruit
00:42
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5. |
Bokor
03:51
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6. |
The Flute Player
03:27
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7. |
Fall of Stone
03:20
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8. |
Kinay 816
03:43
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9. |
Guidonian Hand
03:25
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10. |
Opportunity Mist
02:11
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11. |
Barrel Organ
02:56
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about
Winter North Atlantic's debut Boltfish release A Memento for Dr Mori is a stylish fusion of electronic and acoustic instruments.
It’s title is both a play on the Latin term ‘memento mori’, meaning ‘remember you shall die’, and a dedication to Japanese robotics theorist Dr Masahiro Mori, who posited the theory of The Uncanny Valley – a hypothesis on the emotional response of humans to non-human entities, which observed that human-like appearance in robotics is only appealing unto a certain point, at which it becomes eerie and disturbing.
Indeed there is a sense of disquiet underscoring the album, through a collision of the natural and the synthetic. Acoustic and instrumental sound sources include electric and acoustic guitars, accordion, melodica, harp, recorder, violin, thumb piano, ukulele, vocals, and recordings of old super 8 projectors and other random noises. These are combined with vintage analogue keyboards, electronic textures and treatments, understated glitchy edits and downbeat broken beats inspired by IDM and abstract hip hop.
It’s title is both a play on the Latin term ‘memento mori’, meaning ‘remember you shall die’, and a dedication to Japanese robotics theorist Dr Masahiro Mori, who posited the theory of The Uncanny Valley – a hypothesis on the emotional response of humans to non-human entities, which observed that human-like appearance in robotics is only appealing unto a certain point, at which it becomes eerie and disturbing.
Indeed there is a sense of disquiet underscoring the album, through a collision of the natural and the synthetic. Acoustic and instrumental sound sources include electric and acoustic guitars, accordion, melodica, harp, recorder, violin, thumb piano, ukulele, vocals, and recordings of old super 8 projectors and other random noises. These are combined with vintage analogue keyboards, electronic textures and treatments, understated glitchy edits and downbeat broken beats inspired by IDM and abstract hip hop.
credits
released October 29, 2009
All tracks © Winter North Atlantic
All tracks © Winter North Atlantic
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Boltfish Recordings UK
Boltfish Recordings is an independent, UK-based label specialising in electronic music from artists around the globe.
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